Offizielle Konzertank\u00fcndigung: “ When Mozart heard Bach\u2019s motet \u2018Singet dem Herren\u2019 in Leipzig in 1789, he cried out \u2018Now, there is something one can learn from!\u2019 He died on 5 December 1791 having completed just two thirds of the musical material for his Requiem. 25 years later, Schubert wrote in his diary in October 1816: \u2018As though from afar, the magic notes of Mozart\u2019s music still gently haunt me.\u2019 That same month he completed his Fifth Symphony, the most Mozartian of all his orchestral works.“<\/p>\n
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Johann Sebastian Bach:<\/strong> Singet dem Herrn ein neues Lied, BWV 225 <\/p>\n Louise Alder – Sopran Monteverdi Choir Offizielle Konzertank\u00fcndigung: “ When Mozart heard Bach\u2019s motet \u2018Singet dem Herren\u2019 in Leipzig in 1789, he cried out \u2018Now, there is something one can learn from!\u2019 He died on 5 December 1791 having completed just two thirds of the musical material for his Requiem. 25 years later, Schubert wrote in his diary in October 1816: … <\/p>\n
\nFranz Schubert:<\/strong> Symphony No. 5
\n– interval –
\nWolfgang Amadeus Mozart:<\/strong> Requiem<\/p>\n
\nEva Zaicik – Alt
\nLaurence Kilsby – Tenor
\nWilliam Thomas – Bass<\/p>\n
\nOrchestre R\u00e9volutionnaire et Romantique
\nLeitung – Pablo Heras-Casado<\/p>","protected":false},"excerpt":{"rendered":"